Wednesday, December 20

one million south side stories

Chicago Day 3

We returned to our abandoned warehouse on the south side, half-expecting to have a run-in with bad bad leroy brown, badder than old King Kong and meaner than a junkyard dog.


The tires still stood, i guess Leroy hadn't heard about them yet.


This place was bordered with the river on one side (down a slope from those trees) and the freeway on the other.


The fire exploded out here.

Kaboom!
From the smokey smell and hint of warmth still coming from the remains, the fire seemed pretty recent.
I was dumb enough to walk into this room, collecting paper receipt rolls in the name of Art.


"Oso" was my first nickname on the mission - especially appropriate since i was there with Jimmy, who i trained on our missions in Spain. But that's 2 million other stories...


So that's your setting and I'm ready to give you
Storytime:
Jimmy had to drop me off this time and leave me. I started to calculate the increased danger this gifted me with: Alone, no car, no first aid, cold, wet, south-side, collapsing buildings, King Kong, junkyard dogs, Leroy brown. Naturally my first decision was to quickly step into the most dangerous area immediately available to me - the burnt-out offices - to take care of some business in the charred bathroom before getting started collecting all the furniture from the building. With my danger calcs fresh in mind its safe to use the phrase "nearly paralyzed with fear" when i heard tramping footsteps right around the corner. But instead of crouching behind the toilet i somehow decided to walk out and meet the tramper head on as he turned the corner. He screamed. I screamed. We told each other we scared the other (he using a metaphor). Jose introduced himself and confirmed his apparent homelessness by pointing to the small charcoaled room next to us and identifying it as his place. As he showed me his blackened books, magazines, bed and clothes he simultaneously gained my trust and made me fear for the security of my own two bags of belongings i had stashed around the corner. I slipped away, grabbed my gear and exited the offices, circling to the back of the warehouse to re-enter and hide my stuff in a desk there in the otherwise abandoned football field sized space. Although i wanted to talk to Jose more, i also instinctually felt i should flee. So i walked this way, following the river upstream toward an abandoned bridge that offered an irresistable hike.

I walked across this abandoned train bridge contemplating the freezing temperatures of the waters viewed between railroad ties with background images of "Stand By Me" playing in my mind.

I had been wanting to cross an abandoned bridge ever since Jimmy showed me this one on my first night in Chicago:

It satisfied my version of bridge thrill seeking: walking across.


I had some other miniscule adventures on my way back to the warehouse but they pale in comparison to my second encounter with Jose:
As I made my way back into the warehouse, heading toward the burnt offices, i could hear Jose banging around. I walked straight into his workroom, nervous again, and startled him a second time. But this time as he spun around, wide-eyed and sweating, he was clutching a hatchet. I then realized i had forgotten to list "chopped-up and eaten by lone axe murderer" on my list of possible dangers of the day and held up my hands as if begging for mercy. He was relieved to see it was me and explained his freelance efforts of harvesting copper wire encased in tubes running through the ceiling. I was relieved that i wasn't going to die under an axe blade and followed Jose's advice to explore the upstairs offices. His advice was of one homeless dude to another - there were still good rooms to spend the night in up there.

When i saw this scene i decided that i couldn't make a better installation than it already was - created by taggers and pillagers who had overturned all the desks in an aesthetically pleasing rampage.


Even though i had been straight-up with Jose from our first meeting about my artistic purposes at the warehouse (taking ownership of the tire stack), he continued to insist in the obvious fact that i was also homeless. This led to some touching moments of offering me beer, advice, and blankets.
When Jose left with his duffle to sell his copper wares, I began making a desk piece that had been in my head and my sketchbook for the last couple of weeks.
Art!


Well, i had finally made something and i was pretty hungry. I set out under the freeway overpass looking for a gas station. I was excited to see the evidence of more homelessness tucked in that corner right under the freeway.

As i got closer and saw a figure behind that makeshift sheet wall, the figure called to me, "Jared! How did you find me? This is my place!"
It was Jose cleaning his wires.
I declined his offer to come-up, motioning towared the gas station and saying i would stop by on my way back. By now i was thouroughly amused and enchanted by my 40-year-old Mexican buddy and decided to bring him back some lunch.

He was gone when i returned. I was secretly glad as it gave me an opportunity to snap many photos of his elaborate set-up.




Details like these carefully placed christmas ornaments were heartbreakingly sweet.



I found Jose upon returning, back to work hatcheting the wiring, and he offered me one of the beers he had bought with the four dollars earned from his morning of sweat, effectively breaking my heart to the point of nearly trying alcohol for the first time in respect of his offer; the guy with nothing offering me everything. I declined and went to explore the only part of the warehouse unknown to me: the showers etc...it was creepy



I came out and smelled smoke even stronger than ususal. I found Jose had built a bonfire INSIDE! He needed light in the one windowless room in the building, to harvest more wire. Amused and stunned, i stuck around coughing and trying to sneak some photos. Finally Jose, with dangerous levels of smoke in his lungs, ran out shutting the door with the bonfire still going. He reported that the smoke might be seen and the cops would be called.

It was then that i knew it was over. I called Jimmy to abort the mission. He was just getting out of the hospital with Salime - Doctor appointment for their soon-to-be-born-son - so the timing was perfect. Jose left, packed with even more wire, and offered me not only extra blankets, but to stay with him in his under-the-freeway home. I declined but promised to see him the next day.
True to my word, I showed up early the next morning. But instead of Jose, men in orange vests and hard hats were beginning the official clean-up of our little warehouse. We drove away, passing Jose's home and waving to the sheet wall, hoping he would find more wire and blankets to make it through the Chicago winter.

Saturday, December 16

one million tires


I'm in Chicago, going to leave to Utah after checking out the Richard Tuttle show here in a second at the MCA with Josh Fritz, Jimmy Peterson, and - hopefully - Todd Chilton. It's been a great week. Here is the first adventure at an abandoned and recently burned down warehouse on the south side.

This is a true collaboration with Jimmy Peterson (pictured) since I chose to stack tires and he chose the form. A weird collision of ziggeraut and roman columns.

Thursday, December 7

one million breathing paintings

Your long awaited video footage. Don't worry, I know It's too long and you will only watch a few seconds of this five minute piece - it won't hurt my feelings* - it was made to loop on a gallery wall and not intended to rudely take-up your internet time.

* to learn what did hurt my feelings last night you will have to read to the end of this post

As was wishfully thinking planned, I was able to chinatownbus back to New York a third time with the main goal of getting the video footage (above) and the side goal of holding a reception.

I went straight from Chinatown the first morning to my Bedford stop.
The first thing I noticed was the startling absence of every single pvc pipe in the back of the piece.
As I walked to the empty back of the fence the second new thing was someone named "Moss" signed every single object stuck in the fence. He signed about one hundred and thirty objects.

I guess I just got served.


It was hard to believe that I had really pushed the levels of grossness to its limits during my first two trips by collecting wet bags and bottles of alcoholic beverages in the swampy dump heaps of the riverfront.

So I proved my commitment to revolting trash by collecting every article of clothing dumped on this dead-end lane.

It might be the third grossest thing you could collect there...

After awhile I had exctrated all the clothes and hauled them in my big tupperware box to my outdoor studio/gallery.

To emphasize my feat of hideousness I carefully folded each stinky, wet piece of laundry and laid them on a raised plywood board.

I displayed my favourites on the fence: a pair of pants skinnny enough for a girl but long enough for Tim Duncan, A pair of white jeans stuck with rows of giant safety pins and feathers, and - yes - an AC/DC jean jacket vest.


Enough said.

I thought it serendipitous, or at least appropriate, that I found a Michigan sweatshirt - not only because I used to live there - but because it was the day of the big game between OSU and UofM, arch rivals battling for the #1 spot in football.


As afternoon waxed I finally turned to building my wooden gallery floor out of the discarded pallettes in my junkyard street.

And made some extra objects. I needed a table for the reception goodies.




I bought the treats, put a chair in front of the third incarnation of the Brooklyn Bild and broke-out the harmonica while I waited for my public.
Jeffrey Butler showed-up first with Haley and filmed me.
Come Come Ye Saints, No Toil Nor Labor Fear.


People braved the cold windy evening in the name of Art.

Monica, who is a fellow VCU painting student, and her sister, Mariana, visiting from Mexico City.


I got to hang-out with Monica on both chinatownbus trips and get rides from her husband, Calvin, which was nice. (Calvin graduated last year and his great paintings are linked over there >)

Brigham and Francesco successfully looked really tough and protected us from the hoodlums.

Emily Hall, another VCU painting grad, brought her childhood friend and made some good jokes. I need to find if she has a website because her work rocks and rolls.

A sublime moment of the Bild, unforseen and unexpected, repeated in the video.


So, I actually do have other breathing paintings on this post, and a story about how my feelings were hurt last night. We had a curator for the Corcoran come through our studios yesterday. Very quick runthroughs, sort of devouring us with her notepad. She quickly got what I was doing and said something to the tune of, "Huh, so you're collecting everyday objects and making minimalist sculptures with them that talk about painting - do you know Dan Steinhilber? No? Well he's this young D.C. artist who had a Hirshhorn show. He does what you do but ten times better." This is not an exact quote. But then i googled him and spent an hour of that kind of excitement that breeds jealousy.

Meet Dan Steinhilber, my new arch enemy.


Dan Steinhilber's breathing painting. The trashbags are held together by only ties. They collapse and are re-filled by a shopvac. I actually have plans to fake the Brooklyn Bild indoors with fans.

This one broke my heart. I wish I had made it so bad.

I didn't think much of it until I read that the red in this plastic spoons stack is a red liquid, balanced in the cavity of the spoons. Genius, Dan, genius. I can't bear to show you anymore, you can google him yourselves.
I am coming up with a strategy to meet and befriend Dan, keeping my enemies close...Maybe that's why I somehow ended up in the same grad program that Tara Donovan went to...

Saturday, December 2

one million hulk smashes



this video is dedicated to ruel denis rich brown, josh fritz, and michael john kelly

Monday, November 27

one million famous painters

Eric Fischl came to my studio

How did we get such an eighties superstar to condescend to Richmond?
Tennis lessons at the Hamptons.

VCU didn't help ease the awkwardness of his star power either, everything had to be extra special for Eric Fischl. Although he despised this special treatment, Richard Roth (department chair) was forced to interrupt my studio visit. I don't know if Eric is as embarrassed as I know Richard was to ask him to sign this book for another faculty member.

Mr. Fischl was unanimously judged an awkward studio visitor, beginning visits with silent browsing of your work. But after finally breaking the ice he hit the ground with a critique without the obligatory pleasantries.

Then came the browsing of the cassette collection.

I will be mixing a tape with the following requests:
"End it with Dylan"
"Begin with Cyndi Lauper"
Neil Diamond
K.D. Lang
Annie Lennox
"throw in a Roy Orbison"
"howbout a Cowboy Junkie"
Robert Palmer
Blues Traveler
Cat Stevens

Possesing a fame so attached to the eighties I realized I had expected hit eighties requests from Eric, but secretly hoping he would surprise me with a love of Weird Al or something.

Wednesday, November 22

one million dekooning portraits

If there's one thing I look forward to when going to the MoMA, its that DeKooning portrait. Not that I like the portrait so much, I really like people imitating that portrait while crowds of free-friday museum patrons flood around you.



Mim Rich scores high here with a remarkable mouth imitation and fierce eyework.

After three visits I really should have performed better than this, but my expressive eyebrows save me from a mediocre showing.


The first portrait was of Allan (Schmallan) Ludwig when we were in New York together interviewing for Hunter in March of 2005 (too bad Sunny Belliston, also interviewing, wasn't with us at the time). This was when there was no pre-meditation, as we entered the DeKooning room I instantly knew what I needed. It was great how hard it was to convince him to do it too (the museum was pretty crowded)


although this looks like it was taken the same day as Allan's, Karisa Holyoak made her debut a good six months later during one of my early Richmond to New York visits.

Friends are unsuspecting, but that is always my main goal now when I go to the MoMA: collect another DeKooning portrait. Near misses on portraits have been: Maria, Cassian, Christy Byrd just two weeks ago, and most recently Monica and her sister and Di Cannon too.

Anyway, the other reason I had to go to the MoMA was to pay my respects to the shrine of the Brice Marden retrospective, my one-time painting hero whose influence I have lost hope of ever shaking completely (as my drawings and recent treetube project incriminate).

I went in with this sort of cocky "I'm over you now Brice, but I'll stop by to honor what we used to have". Then I walked through an abridged version of 45 years of painting and left with a humbled, "o.k. man, you have something, I may even still love you - I even almost got excited again, but I'm still going to try and get over you...sorry, love, jared".

Tuesday, November 21

one million double fluffs


Just a little teaser which will undoubtedly entice you to hasten your visit to my delicious new link to the scrumptiluminescent art of Lauren Clay - recently labeled by Jerry Saltz as "an ovarian alchemist".